CLITERACY Reel
CLITERACY, 100 Natural Laws
neon, vinyl, wood, acrylic
13 x 10 feet
2012
Created as a Van Lier Fellow during the Art Law Residency.
Adamas (unconquerable)
fiberglass, wood, acrylic, steel
43 x 72 x 11 in.
2013
Solo exhibition of CLITERACY at Samek Museum at Bucknell University in Lewisburg, PA.
DEMOCRACY WITHOUT CLITERACY PHALLUSY, Natural Law No. 57
vinyl billboard
35 x 10.6 feet
2013
Public billboard on I-25 Southbound near mile marker 247.2, depicting of a law from CLITERACY 100 Natural Laws. This work was created during Wallace's tenure in the Artist Lab Residency with the generous support of CENTER.
My Name On the Surface of a Lost Star
neon
4.5 x 95 x 2 in.
2016
Shown in Over and Over and Over, solo exhibition at Catinca Tabacaru Gallery, New York, NY.
We Are Here For The Repossession
sculptures in stoneware and porcelain, photographs, fresh flowers, candles
30 x 12 feet
2018
This altar claims that all bodies are divine. The church is no safe harbor for many of us, with its embrace of those assigned female at birth, on a condition of impossibility, in a perpetual state of reproductive virginity.
Women, girls and people with vulvas find themselves in a bind, unable to have a sexuality without losing honor. Unable to inhabit their bodies without danger.
This altar is for all of our mothers and their mothers, mothers, mothers, mothers, mothers.
Shown in Art Is Love Made Public exhibition at AP Gallery in Zacatecas, Mexico, 2018.
We Are Here For The Repossession, II
silk, steel, enamel
120” x 20” x 18” (each free standing piece, 12 total)
2019
Photo © Kris Graves
Exhibition view from Narrative Threads at Project Empty Space, Newark, NJ.
Invisible Sculpture
acrylic, aluminum, steel, nylon
36 x 39 x 12 in.
2014
Clit Damask
gold acrylic
23 x 9 feet
2014
Clit Forms
laser etched wood
9 x 9 in.
2014
Solo exhibition, Sophia Wallace at Definitely Superior Gallery in Thunder Bay, Canada.